The Style (1917 - 1930)
Theo van Doesburg tried
from 1915 to 1917 to bring in new members for an alliance of Dutch 
artists.
The purpose of the alliance was to stand up as a group instead of standing
up as individual artists.
In 1917 the first number of the magazine 'The Style' was launched.
The idea for this magazine came from Theo van Doesburg. It was meant for
explaining his own work as well as the work of the other members of the
alliance. For them the magazine was an instrument to discuss new modern
art and to spread their own ideas.
Still there are several points of view
about the origin of The Style.
If we look at the date of foundation, the first World War, we can point out the
endeavor of the society as base of the origin. At that time it was very chaotic in
Holland. The people wanted peace, rest and harmony again. The members of The Style tried
to reflect in their work what in the entire social development could not be achieved, The Ideal Harmony.
If we look at the former art periods, The Style seems a logic outcome of the Cubist period (1907- 1914). The Cubist artists tried to order the reality. The result of ordering the reality often looks like a harmonious totality. The cubists however, still used identifiable figures and elements in their paintings; their paintings were still telling something. The Style carried the principal of ordering the reality through, by ordering the reality even further. The paintings made by members of The Style do not show identifiable figures at all. These paintings have a non-telling character, but are still understandable and reflecting something.
The Style did not restrict itself to the art of painting. The members wanted to realize the principals of The Style in many different artistic areas, such as architecture, sculpture, design, etc.
Theo van Doesburg actually wanted to call the magazine 'The Straight Line', but influenced by the other members the name became 'The Style' after all. The members thought that the word 'Style', preceded by the the word 'The' , suggests that it is the best, possibly even the only style, usable in the modern art and society.
Although
the purpose was to stand up as a group, the members Van der 
Leck
and Van Doesburg started to use diagonals and and the color green.
(1925) Everybody thought this would be the end for the alliance, but that
was not true at all. Mondriaan
and several other members started to experience with diagonals and
other colors. By doing this they stood up as a group again and saved one
of the basic principals of the alliance The Style.
The Style ended in 1931 when Theo van Doesburg started a new alliance, called 'Abstraction-Creation" and therefor ended his membership with The Style. With Van Doesburg ending his membership, the magazine 'The Style' died also. The Style however did not end completely. In some way, the other members continued carrying out the principals of The style, but individually in stead of as a group. This meant the ending of the essence of the alliance.
The Style was such an important movement that it still inspires the art and architecture. The Style is everywhere: Clothes, curtains, furniture, carpets, packing, etc. In all you can find elements of The Style. People copied the principals of The Style or were influenced by it.
The
Style is a variation of the abstract
art, witch is characteristic for the opinions about art of the modern
times. This modern art had to be non-illustrative and non-telling in contrast
to the former art movements and it's opinions. The modern art had to be
able to stand on its own and had to be understandable without referring
to the concrete world. So it did not have to reflect something identifiable
to be understandable.
The Style is recognizable by the use of straight horizontal en vertical lines as well as the use of the primary colors red, yellow and blue. They also used the colors black, white and gray. The result of it all seems an almost technically constructured totality. It was not the intention to tell something concrete, but to show the world the ideal harmony.
The Style went back to the fundamental
elements of the art: color and form, level and line. With these elements
the artist developed new sculptural language and with that the placed
the ideal world opposite the reality. Most of the artist used closed and
open forms, density and
space, color and form. By using these elements within one painting, the
ideal harmony could be reached. All elements have their own function in
the totality.
The lines are the borders and make the open or closed forms. The lines are also
used to create a certain space. The border of the painting is not the end of the painting.
We can use our fantasy to fill in the rest; to let it grow as big as we want, as big as we
can imagine.
By using only the primary colors, the artist could create a 3-dimensional effect.
The colors attract immediate attention. Therefor the rest of the painting seems to go to
the background. It looks like the white forms are further back than the colored forms.
That is how the artists created a front and a back in their paintings, witch is held in
harmony because of the use of different sized forms.
So the ideal harmony could only be reached by using the perfect proportion between:
- the size of the colored forms
- the colored and uncolored forms
- the closed and open forms
By the use of ideal proportions, the artists were able to create peace and balance in their work, witch reflects the ideal harmony in the most perfect way.
The members of the alliance saw art as the bridge between reality and harmony. If harmony was reached in reality, art would lose its function.
